Pitch ParlerPitch podcasts like you’ve heard every episode.
Pitch Parler finds shows that fit your expertise, studies what each one has already covered, and writes your pitch around the episode they haven’t made yet.
3 pitches or 7 days free, whichever comes first. Card required. Cancel before then and you pay nothing.
The Pro plan is $299 a month. Founding members get that same Pro plan for $149 a month. That is $150 off, every month, for life: your $149 never goes up for as long as you stay subscribed, and their feature requests are looked at first.
Same app, same 250 pitches and 500 revisions a month as Pro. It is the price that is different, and only the discount and the priority end. They end when the 25 seats are taken, or on November 1, whichever comes first. After that, Pro is $299 a month.
Every pitch gets the same work behind it on either plan: the show researched, the episode they have not made, three emails written from it, and an AI phrasing check before you read a word. The allowance is what differs, not the quality.
Both plans start free: 3 pitches or 7 days, whichever comes first. Move from Starter to Pro any time and it starts straight away.
Click through it yourself.
The whole loop in seven steps, on sample data. No account, nothing saved, nothing sent.
“I tried the other pitching platforms and hated them. The emails sounded like AI. They put me in front of shows I would never want to be on. And none of them learned: nothing I corrected ever stuck, and they had no idea which pitches were actually working.
So we built our own. Every part of the pitch is yours to change. Every email goes through an AI humanizer before you ever see it. Every correction you save is remembered. And when a show says yes, it works out what that pitch did differently and writes the next one that way.”
Hosts can spot a template in one line.
You already know podcasts work. One good episode keeps finding new listeners for years. The hard part is getting a host to say yes.
And here’s the thing. Doing one pitch properly takes roughly this long:
Ten shows a month is a part time job. So most people skip the listening. They send the same pitch to fifty shows, and the hosts who get those every week learn to spot them fast.
The pitch that gets a yes isn’t the one that says how great you are. It’s the one that shows the host what their show is missing.That is where Pitch Parler comes in.
Every show has a hole in its back catalog.
We find where three things meet.
- The gap in the host’s show
- What their audience responds to
- What you talk about
Then we pitch you to fill the gap only you can. Hours of research, done for you.
A topic their audience keeps circling that nobody has come on to explain. Find that hole and your pitch stops being a request for a favor. It becomes an episode idea the host already needs.
Pitch Parler does that homework for every show you pitch. It pulls the show’s feed, YouTube channel, and public listings, works out what they’ve covered and what they haven’t, and picks the angle where you fit best.
Then it writes the pitch from that research. Not from a template.
How it works
From your website to a ready to send pitch sequence.
Tell it who you are
Your name, your website, and who you serve. Pitch Parler reads your site and public footprint, then builds your expert profile, your angles, and the podcast searches worth running.
Find shows, or name your own
Let us search a directory of millions of podcasts for shows that fit you, keeping the ones that interview guests and are still publishing. Or skip the search and type the name of a show you already want to pitch.
Get the show report
What the show has covered, what’s missing, why their audience needs it now, and a proposed episode built around you. It looks for the booking contact too, when one is published.
Send the pitch
A full sequence for that show: the pitch, a follow up, and a final follow up, each with a subject line. Change anything you want, then click Open in my email. A new message opens in your own Gmail or Outlook, already addressed to the host with the subject and the pitch filled in. You read it and hit send.
Mark it booked, and it learns what works for you
The tracker holds every email, dates each follow up, and shows what is due today. When a host says yes, tick Booked. The follow ups for that show disappear, and Pitch Parler compares the pitch that won with the ones that got no reply: the angle, how it opened, how long it was, how it asked. It keeps what worked for your niche and writes more of your next pitches that way. Every booking makes the next pitch sharper.
What you actually get
Everything below is in the app today, on every plan. No add ons, nothing extra to buy.
Finding shows worth your time
Search by your angle, topic, country or language
Why it matters: The wrong show does not just waste a pitch, it wastes a recording day on an audience that will never buy from you.
Search by the topic you want to be known for, by country and language, or type in a show you already have in mind.
Audience size, checked three ways
Why it matters: A show with no real audience costs you the same hour as one with a big one.
Every result is marked Top 1%, Top 5%, Top 15% or Listed, from its ranking, Apple ratings and episode count. A four episode show never gets dressed up as a big one.
Say “not a good match”, and say why
Why it matters: You should only have to turn a show down once.
Tell it why a show is wrong for you. It remembers the reason and stops showing you ones like it.
Nothing comes back twice
Why it matters: Pitching the same host twice by accident looks careless and can cost you the relationship.
Shows you have pitched, booked or passed on never appear in another search.
Knowing the show before you pitch
It reads the show, not the blurb
Why it matters: A blurb says what a show was about at launch, sometimes years ago. Pitch from that and you sound like everyone who never listened.
It reads recent episodes, the show’s feed, YouTube and Podchaser, then reports what the show covers now, who listens, and which episodes did best.
It finds the episode they have not made
Why it matters: Hosts do not book guests, they book episodes. The episode their show is missing is an easy yes. A request for a slot is a favor.
It works out the gap in the back catalog your expertise fills, then proposes a title and talking points you can rewrite.
Real statistics, with the source and the year
Why it matters: One real, current number makes a host take you seriously. One nobody can trace ends the conversation.
Every statistic comes from research or industry sources, shows its year, is never invented, and is refreshed monthly.
The booking contact, found for you
Why it matters: Hunting for the right address is where most people give up on a show.
It finds the booking address in the show’s feed, on its website, or wherever it is written out. It never guesses, because a bounced email is a lost show.
Pitches that sound like you
A deep dive on you before the first pitch
Why it matters: Most pitching apps learn you from a writing sample and a short form. That shows them how you write, not why a host should book you.
It studies your website, your social channels, shows you have been on, your books, and what the web says about you. Then it writes your profile and suggests 8 to 12 angles, all of it editable.
It learns as you go, from the next email on
Why it matters: Fixing the same thing in every pitch is why most AI writing tools get abandoned.
Tell it what to change once and choose to remember it. The change appears in the very next email, on any device. No samples to upload.
And it learns from the pitches that book
Why it matters: Your own results beat any template or any general advice.
Mark a show booked and it compares that pitch with the ones that went nowhere, works out what the winner did differently, and writes that way from then on. Every rule it draws is shown to you and can be deleted.
It checks its own writing, every time
Why it matters: Hosts recognize AI writing within a line, and delete it no matter how good the idea is.
Every email is scanned for the giveaways: stock openers, stacked adjectives, long dashes, and flattery no real person writes. Anything flagged is rewritten before you see it.
Rewrites never use up a pitch
Why it matters: The pitch you send should be the one you are proud of, not the one you settled for.
Revisions have their own allowance on top of your pitches: 500 a month on Pro, 100 on Starter. A warmer or shorter version never costs you a pitch.
Sent in two clicks, then tracked
Open in my email
Why it matters: Copying between tabs is where pitches stall and addresses get mistyped.
One click opens a new message in your own Gmail, Outlook, Yahoo or phone mail app, addressed to the host with the subject and pitch filled in. Read it and press send.
No address anywhere? Use Instagram
Why it matters: Some of the best shows never publish an email address, and most people give up on them.
You get the show’s Instagram and the same pitch rewritten to fit a direct message.
Follow ups date themselves
Why it matters: Most bookings come from a follow up, and follow ups are the first thing to slip when you are busy.
The tracker dates every follow up on your schedule, shows what is due today and what is overdue, and counts the days you have been waiting.
Mark a show booked and the follow ups stop
Why it matters: Nothing is more awkward than chasing a host who already said yes.
Booking a show removes its follow ups, keeps your pitched and booked numbers, and teaches the app what that pitch did right. Everything exports to CSV.
Yours to change, and nothing happens without you
Everything is editable
Why it matters: Nobody knows your business better than you do, so nothing is locked.
Your profile, your angles and keywords, the proposed episode, every email, the follow up schedule, and which email app you send from.
Pitch for other people too
Why it matters: If you pitch for clients or run a team, you should not need a second subscription.
Add a person and they get their own profile, angles, pitches and tracker, switched from the top of the page. Nothing mixes, and it costs nothing extra.
No email is ever sent for you
Why it matters: Your name and your inbox’s reputation are on every pitch.
Nothing goes out that you have not read, and it always goes from your own address.
Hosts delete AI pitches. Pitch Parler has a way around that.
In a 2026 survey of podcast producers and booking agencies, 68% named AI template pitches as grounds for an immediate no, and producers accept a median of just 1 pitch in 20 (Podchaser). Most AI tools write a draft and stop there. Pitch Parler keeps going: it checks every draft for the phrasing hosts recognize and rewrites it, it learns from every change you tell it to remember, and it learns from the pitches that actually get you booked. That last part is what AI is best at, and almost nobody uses it: getting better every time you use it.
The AI check, on every email
Every draft is scanned and rewritten before it reaches you
Why it matters: a host who spots AI writing stops reading, however good the idea. One giveaway line can cost you the show.
Each email is read back for the phrases that give away a machine: the throat clearing openers, the stacked adjectives, the tidy three part sentences, the long dashes, and the flattery no real person writes. Anything flagged is rewritten, and only then do you see the email. It happens on the pitch and on every follow up, and you never have to ask for it.
Written from the show’s own episodes, not a template
Why it matters: hosts get pitches every week that could have been sent to any show. The one that mentions their actual episodes is the one they answer.
What makes a pitch read as generated is usually that it could have been sent to anyone. Yours is built from that show’s back catalog and the episode it is missing, so the first line could only have been written to that host.
It learns you, and what books you
A booking teaches it what works in your niche
Why it matters: general advice about pitching is a guess. What actually got you booked is evidence, and it is specific to you and your topic.
Tick Booked on a show and it reads that pitch against the ones you sent that went nowhere, works out what the winning one did differently, such as how it opened, how long it was and how the ask was made, and keeps that as a rule for every pitch afterwards. The more shows book you, the more your pitches lean into the approach that works for your topic and your audience. You can see each of those rules, and delete any you disagree with.
Say what to change, once, and it sticks
Why it matters: if you have to correct the same thing every time, you stop using the tool. Correcting it once is what makes the second month faster than the first.
Warmer. Shorter. Less salesy. Mention the book. Say it in your own words and choose: fix just this email, or remember it. Remembered changes apply from the very next email, on any device you sign in from. There is nothing to upload, no samples to gather, and no waiting for it to catch up.
It starts from your real work, on day one
Why it matters: a generic first pitch wastes your best shows. Starting from what you have actually done means even pitch number one sounds like an expert, not a template.
Before your first pitch it reads your website and your public work, your interviews, articles and credentials, so the first email already sounds like you rather than like nobody.
One account, one voice
Why it matters: the learning is only useful if it is learning you. Two people's edits pull it in two directions.
It learns from one person’s edits. Share a login and it learns two people at once, and the pitches get worse for both of you.
You control what gets sent
Nothing leaves without you reading it
Why it matters: your reputation goes out with every email. A tool that sends in your name without you is a risk you cannot take back.
No host is ever emailed on your behalf. You open the finished email in your own inbox, change anything you like right up to the last second, and press send yourself. Many pitching tools connect to your mailbox and send from inside their app once you approve, often with follow ups going out on their own. Pitch Parler never touches your mailbox.
Everything on the page is yours to edit
Why it matters: you know things about your work that no website says. Being able to change anything means the pitch is always yours, not the tool's.
The profile, the angles, the proposed episode title, the subject lines, the wording, the follow up dates. Change any of it, and the ones you ask it to remember change what it writes next.
And it keeps score for you
Pitches sent, shows booked, and your booking rate
Why it matters: without numbers you cannot tell whether an angle is working, so you keep doing what does not.
Mark a pitch sent and a show booked, and the tracker keeps the running numbers: how many pitches went out, how many turned into bookings, and what that is as a percentage. Kept month by month, so you can see whether a new angle is working instead of guessing.
It tells you what needs doing today
Why it matters: most bookings come from the follow up, and follow ups are the first thing to slip when you are busy.
Follow ups date themselves, overdue ones are flagged, and a pitch waiting on a reply shows how many days it has been. Everything exports to CSV if you want it elsewhere.
Four ways to get on podcasts
Where Pitch Parler is different, and why each difference matters to you.
| Booking agency | Doing it yourself | Bulk pitching tools | Pitch Parler | |
|---|---|---|---|---|
| Who it puts you in front of | Shows they have relationships with | Whoever you can find time to research | Volume: hundreds of shows a month | Selective: shows that fit your angle, still publishing, and big enough to matterPitching hundreds of shows lands you on episodes your buyers never hear, and every one costs you a recording day. Fewer, better fit shows means your hours on air reach the people you serve. |
| Research on each show | Depends on the agency | If you find the time | Matched from a database, recent episodes referenced | A full report on every show, and the episode it has not madeHosts book episodes, not guests. Handing them the episode their show is missing turns a request for a favor into an easy yes. |
| How well it knows you | An intake call | Completely | A writing sample or template, and a short form | A deep dive first: your website, socials, podcasts, books and articlesA writing sample shows how you write one email. A deep dive shows the host who you are and why you are the one for this episode, from the very first pitch. |
| How much you can change | Ask them, then wait | Everything, because you write it all | Edit the draft before it goes | Every step, and you get the final say: your profile, your angles, which shows, the proposed episode, each email, the follow up datesYou know your work better than any tool. Steering every step means the pitch is always yours, not the software’s. |
| Does it read as AI? | Written by a person | Down to your writing that day | No published check on the phrasing | Every email is scanned for AI giveaways and rewritten before you see itHosts delete pitches that sound generated, often after one line, however good the idea. |
| Does it get better as you use it? | Only if you keep telling them | Only as fast as you learn | No published learning from your edits or your bookings | Yes, every week. It learns from each change you save, and from every show that books you, then writes more of what worksMost apps use AI to write a draft and stop there. The real power of AI is that it can keep learning. Here your fiftieth pitch is built on everything your first forty nine taught it about your niche. |
| Getting the email sent | They send it, in their words | You write it, address it, send it | Sent from inside their app through your connected mailbox, follow ups often automatic | One click opens it in your own Gmail or Outlook, addressed and written. You read it and press sendNothing goes out in your name that you have not read, and no app needs access to your inbox. |
| Follow ups | Handled for you | A spreadsheet and your memory | Often sent automatically | Dated for you, and removed the moment a show booksMost bookings come from a follow up. Chasing a host who already said yes is the fastest way to look careless. |
| Your numbers | A report, if they send one | Whatever you track yourself | Opens and replies in their dashboard | Pitches sent, shows booked, booking rate, and hours savedYou see which angles book you, and the app uses those same results to write better pitches. |
| Cost, and getting started | Often thousands a month, after contracts and calls | Free, plus about 90 minutes a show | About $99 a month and up, some only by quote after a demo call | $149 a month, on this page. Start today, no callYou are paying for research and writing on every pitch, not for volume, and you never need a sales call to find out the price. |
There are cheaper tools. We are not trying to be one.
We know we are not the cheapest podcast pitching app, and we are not trying to be. Every pitch here costs us real money to produce: the show research, the contact hunt, the sourced statistics, the AI phrasing check, and the learning that reads your booked pitches and improves the next one. Pitch Parler is built on what it takes for a pitch to be good, and we price it for that. The prices below are what those tools publish. If one of them is all you need, use it.
It studies the show, not a database record
Every pitch starts with the show’s own recent episodes, its feed, its YouTube and its listings. You get a report on what it covers now, who listens, which episodes did best, and the one question its audience keeps asking that no guest has answered. That gap is the episode you pitch.
It studies you before it writes a word
Not a writing sample and a form. Your website, your social channels, the podcasts you have been on, your books and articles, and what the web says about you, turned into the five things a host needs to know and 8 to 12 angles you can pitch from.
Every draft is checked for AI phrasing
68% of producers say an AI template pitch is an instant no. So every email is read back for the giveaways, the stock openers, the stacked adjectives, the long dashes, the flattery, and rewritten before it ever reaches you.
It gets better every week you use it
Tell it once what to change and it holds. Mark a show booked and it compares that pitch with the ones that got no reply, works out what won, and writes more of that. Your fiftieth pitch is built on what the first forty nine taught it.
Nothing is automated in your name
No app connects to your mailbox. One click opens the finished email in your own Gmail or Outlook, addressed and written, and you press send. Your reputation is never in a sending tool’s hands.
You steer every step
Your profile, your angles, which shows, the proposed episode, each email, the follow up dates. Change anything by typing or by voice, and the changes you save shape what it writes next.
What the same job costs with a booking agency
A podcast booking agency does this work for you and guarantees a number of placements. That is a real service, and this is what it costs at published prices:
- $700 a month for 2 placements, or $900 for 4, plus a $150 set up fee (The Expert Bookers)
- $800 a month for 3 interviews, or $1,200 for 5 (Guest Influence)
- From $1,375 a month (Interview Valet), $1,800 to $2,100 (Podcast Ally), from $3,000 (LemonPie)
Prices as published by each agency, collected September 2026 (directory).
That works out at roughly $225 to $400 for each booking, and you pitch only the shows the agency chooses to pitch.
One month with a mid range agency costs more than four months of Pro here, or more than nine months of Starter. The cheapest agency plan we found, $700 for two placements, is more than two months of Pro. On Pro you research and pitch up to 250 shows a month of your own choosing, in your own voice, from your own inbox, at about $1.20 a pitch.
Why it costs what it costs. A pitch here is not a template with a name dropped in. Reading the show, finding the gap, checking the statistics, hunting the booking address, running the AI check and applying what your bookings taught it all cost us money on every single pitch, every time. We would rather charge for that and have your emails land than be the cheapest thing on the market.
Made by a podcast host and a systems engineer.
Pitch Parler started as the private tool we built to pitch Dr. Diane to podcasts. Then we opened it up.
Two doctorates, 15+ years in clinical practice, three books, and more than 100 podcast, summit, stage, and TV appearances. She is also the host of the Libido Lounge podcast, so she sees both sides: what gets a guest booked, and what makes a host delete a pitch without finishing it.
drdianemueller.com
Twenty years building enterprise software, architecting systems for companies that had to grow fast without growing their headcount. Now he builds the systems that do a team’s worth of work, including the research engine behind Pitch Parler.
mikekohl.com • healthbizscale.comThis is for you if
- You have real expertise: a practice, a book, a company, a method
- You can talk about your work for 30 minutes
- You’d rather edit a strong draft than write from scratch
- You pitch clients and want every pitch to show you did the homework
Skip it if
- You want someone else to send pitches and book shows for you
- You want a guarantee of a specific show. No tool can promise a host says yes
- You want to send the same email to 500 shows
Founding members help decide what we build next.
Pitch Parler is new, and the first 25 members get more than a lower price. You get a real say in where it goes.
When you tell us what you want to see in the app, it gets priority over requests from everyone else. Founding member suggestions are the first ones we review when we plan what to build.
Your feedback doesn't disappear into a support queue. Dr. Diane and Mike read what founding members send, and it comes to us marked as a founding member request.
You get the full Pro plan, with 250 pitches and 500 revisions a month, at half the price, for as long as you stay subscribed. Everyone who joins after pays $299 for it. If you cancel, the founding price is gone for good.
Priority means your requests are reviewed first. We can't promise every idea gets built or give a date for it, but founding member ideas are the ones we look at first.
You are paying for what is inside each pitch.
There are cheaper pitching tools. They hand you a database and leave the listening, the writing and the tracking to you. Here is where your money actually goes.
Reading the show's back catalog, finding the episode it has not made, sourcing current statistics, and hunting the booking address. That costs us money on every pitch, every time, and it is why your email does not read like a template.
Your feedback does not disappear into a support queue. Dr. Diane and Mike read what you send. This is a small team building for a small number of people, and that is on purpose.
Every change you tell it to remember and every show that books you teaches it your voice and what works for you. The pitch you send in month three is written by something that has read your last two months of edits.
The Pro plan, at the founding price.
- Founding member priority. Your feature requests are reviewed first when we plan what to build
- 250 pitches a month. Each one is a full three email sequence for one show
- 500 revisions a month to get every email exactly right
- Show discovery by angle, topic, country and language
- A full intelligence report for every show you pitch
- Booking contact lookup
- Pitch tracker with follow up due dates, booking rate and CSV export
- Learns from the changes you save and the shows that book you
- Cancel anytime from your account
3 pitches or 7 days free, whichever comes first. A pitch is used when the app writes your three emails for a show, so most people reach the 3 pitches long before the 7 days. Your card is charged 24 hours after your 3rd pitch, or at the end of day 7 if you have not used all three. So you always have a day to read all three pitches and decide. Cancel before either of those and you pay nothing. Have a promo code? Enter it when you create your account.
Two plans. The same research behind every pitch.
Not the cheapest pitching app, on purpose. Every pitch is researched, checked and improved by what your bookings teach it, and that costs real money to run.
- 250 pitches a month. Each one is a full three email sequence for one show
- 500 revisions a month to get every email exactly right
- About $1.20 a pitch at full use
- Everything below is included
- 50 pitches a month. About 12 shows a week
- 100 revisions a month
- The same show research, contacts and tracker as Pro
- Upgrade to Pro any time
- Show discovery by angle, topic, country and language
- A full intelligence report for every show you pitch
- Booking contact lookup
- Pitch tracker with follow up due dates, booking rate and CSV export
- Learns from the changes you save and the shows that book you
- Cancel anytime from your account
3 pitches or 7 days free on either plan, whichever comes first. A pitch is used when the app writes your three emails for a show, so most people reach the 3 pitches long before the 7 days. Your card is charged 24 hours after your 3rd pitch, or at the end of day 7 if you have not used all three. So you always have a day to read all three pitches and decide. Cancel before either of those and you pay nothing. Have a promo code? Enter it when you create your account.
Questions
How does the free trial work?
Create your account and add a card. You get 3 pitches or 7 days free, whichever comes first, and each of the 3 is a full pitch with the show report and all three emails. A pitch is counted when the app writes those emails, so the 3 pitches are usually what runs out, not the week.
A free pitch is used when you click Write my pitch emails for a show. Searching for shows, reading show reports, finding the booking contact and sending the emails are all free and unlimited during the trial, so you can look around as much as you like before you spend one of the three.
Your card is charged 24 hours after your 3rd pitch, or 7 days after you sign up, whichever comes first. So if you use all three on your first day, you are charged the next day, and that day is yours to read the pitches, send them and decide. If you never use all 3, you are charged at 7 days and the unused pitches expire. Cancel before whichever of those comes first and you are never charged. Your account screen shows the exact date and time.
Why do you need a card for a free trial?
It keeps the trial to one per person. Without it, the free pitches would be gone to people making new email addresses, and we couldn’t keep the price this low.
Won’t hosts know AI wrote it?
Hosts spot generic pitches because they’re generic. Yours are built from that show’s own episodes and a deep dive on you, every draft is checked for AI phrasing and rewritten before you see it, and they go out from your own inbox after you have read them. Every change you save makes the next one sound more like you.
Does it send emails for me?
You send them, but you do not do the work. Click Open in my email and a new message opens in your own Gmail, Outlook, Yahoo or phone mail app, already addressed to the host, with the subject and the full pitch filled in. You read it, change anything you like, and hit send. It is copied to your clipboard at the same time, in case you would rather paste it somewhere else.
We stop one step short of sending on purpose. Pitches from your own inbox land in front of a host instead of in a spam folder, and nothing goes out in your name that you have not read. The tracker then records what you sent and tells you when the follow ups are due.
Will I definitely get booked?
No tool can promise that, and you should be wary of anyone who does. What Pitch Parler does is make sure every pitch gives the host a real reason to say yes: an episode their show is missing, and a guest who fits it.
What counts as a pitch, and what is a revision?
A pitch is counted at one moment: when you click Write my pitch emails for a show. That one pitch is the full sequence for that show: the pitch email, a follow up, and a final follow up.
These are all free and never count as a pitch: searching for shows, however many searches you run; reading a show’s intelligence report; the booking contact lookup; opening the email in your inbox and sending it; and everything in the tracker. If you research a show and decide not to pitch it, it has cost you nothing.
A revision is any time you ask it to rewrite one of those three emails, and revisions have their own separate allowance, so improving a pitch never uses a second pitch.
You get 250 pitches and 500 revisions a month.Pro includes 250 pitches and 500 revisions a month. Starter includes 50 pitches and 100 revisions. Founding members get Pro’s allowance.
Which plan should I choose?
If you pitch a few shows a week, Starter covers it: 50 pitches is about 12 a week. If you pitch more than that, pitch for clients, or want room to test different angles, Pro gives you five times as much for twice the price. You can move from Starter to Pro any time, and it starts straight away.
What does the founding price mean?
The first 25 members, or everyone who joins before November 1, get the Pro plan, the $299 a month plan with 250 pitches and 500 revisions, for $149 a month. That price stays yours for as long as you stay subscribed. If you cancel, you lose it for good, and coming back later means paying the standard price. Founding members also get priority on feature requests: what you ask for is reviewed first when we plan what to build next. We can't promise every request gets built, or when, but founding member ideas come first in line.
Can I pitch for clients, not just myself?
Yes, at no extra cost. In the app, click Setup at the top, then Add someone to pitch for, and you get a second person with their own profile, angles, pitches and tracker. Switch between them from Pitching as… at the top of the page. Nothing is shared or mixed between them, and your plan’s pitches are pooled across everyone you pitch for.
How many podcasts can you search?
Millions: our search covers the major podcast directories, plus Apple Podcasts, Podchaser and YouTube for the details on each show. We do not think the size of a database is the useful number, though. What matters is how many shows are a real fit for you, are still publishing, and are big enough to be worth an email, which is why every result is marked Top 1%, Top 5%, Top 15% or Listed before you spend a pitch on it.
How much time does this take each week?
About two minutes of your attention per show. You pick a show, the research runs on its own in roughly a minute, and you read the report and the three emails, change what you want, and send. Ten shows is well under an hour. There is no set up period and no onboarding call: your profile is built from your website the first time you sign in.
There are cheaper tools. What am I actually paying for?
We are not the cheapest, and we are not trying to be. Cheaper tools hand you a database and leave the listening, the writing and the tracking to you. Bulk tools write from a template or a sample you upload and send at volume.
Every pitch here costs us money to produce. Reading the show's episodes, finding the gap in its back catalog, sourcing current statistics, hunting the booking address, running the AI phrasing check, and applying what your booked pitches taught it. That is deliberate. A cheap pitch that reads like a template is worth nothing when the host deletes it.
Here you are paying for what is inside each pitch: a report on the show, the episode it has not made, three emails built from that, an AI phrasing check on every draft, a tool that learns from the changes you save and the shows that book you, and a tracker that keeps your booking rate. On Pro that is about $1.20 a pitch, and about $3 a pitch on Starter. If all you want is a list of shows and addresses, the cheaper tool is the right call and we would rather you used it.
Do I have to book a demo or talk to a salesperson?
No. There is no demo, no sales call and no contract. The price is on this page, you start with 3 free pitches, and you cancel yourself from the Account screen whenever you want.
Is this safe for my email reputation?
Yes, and that is a big reason it works the way it does. Nothing is bulk sent. You send each pitch yourself, from your own inbox, at your own pace, so hosts get a normal email from a real person rather than a burst of mail from an automation service. We never connect to your mailbox, and we do not put tracking pixels in your emails, which is what often lands automated outreach in spam.
Do you track opens and replies?
No, and we want to be straight about that. Because the emails go from your own inbox, replies land in your inbox, not in a dashboard here. We track what you sent and when, tell you when a follow up is due, count the days you have been waiting, and record which shows booked you. If open rate reporting matters more to you than deliverability, a bulk sending tool will suit you better than we will.
Can I add team members?
Not yet, and we would rather say so than pretend. An account is one login. You can pitch for as many people as you like from it, each with their own profile, angles, pitches and tracker, but two people cannot log in separately today. Shared logins also make the pitches worse, because the app learns one voice from everyone’s edits. Proper team accounts are on the list, and founding members’ requests are the ones we look at first.
Can I cancel, and do you give refunds?
You can cancel anytime from the Account screen. No contract and no call to make. Canceling stops future charges, and you keep access until the end of the month you paid for. We do not give refunds, including for partly used months, so try your 3 free pitches first. If you cancel within 24 hours of your 3rd free pitch (or before day 7, if you have not used them all), you pay nothing.
Still have a question?
Send us a message and a real person will reply to your email, usually within one business day.
Your expertise is already a good episode.
Go find the shows that are missing it.
… of 25 founding seats are still open at $149 a month.
3 pitches or 7 days free to start, whichever comes first. Then $149 or $299 a month, cancel from your account any time.
3 pitches or 7 days free, whichever comes first. Card required. Cancel before then and you pay nothing.